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VIDEO PREMIERE - Why Don't You Love Me

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Message par Alycat le 06/05/10, 02:47 pm

Voila ce dont on a besoin ! Des trucs P.O.S.I.T.I.F.S!

:DANSE3:
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Message par Invité le 06/05/10, 02:52 pm

Hey BEE-Z !!
j'avais pas vu que c'était toi Kévin :) c'est que sur BWBOARD que j'ai décelé qui tu étais :twisted:
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Message par Iceberg le 06/05/10, 03:11 pm

Kévin, les lunettes papillon c'est pas des Prada. Elles y ressemblent mais c'est des Tom Ford. :D
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Message par Iceberg le 06/05/10, 03:24 pm

Ah non ! Elle a bien les Prada quand elle lit. Par contre elle a les Tom Ford quand elle jardine.
Et quand elle cuisine et fait la vaiselle, son gilet est un Chanel de la collection Croisière d'il y a quelques années (je me souviens plus exactement), sa ceinture, ses bracelets et ses colliers sont aussi des Chanel. Et son body est un Dolce & Gabbana.
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Message par Invité le 06/05/10, 04:57 pm

J'étais sur que Lindsay Lohan kiffé Bee, alors que la presse faisait croire qu'elle déteste Queen B parce qu'elle lui aurait volé sa loge aux F1 de singapour!!!

Les Kardahsians c'est mes femmes :P
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Message par Invité le 06/05/10, 05:11 pm

En faite je pense que le clip a été tourné à la maison qui auraientt sois disant achetés en Pennsylvanie, enfaite ils y seraient aller tourner le clip et des rumeurs serait sorti comme quoi il voudrait acheter la maison alors qu'ils y ont juste tourner un clip...
Sa aussi c'est une rumeur :lol:
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Message par MrsRuliette le 06/05/10, 06:32 pm

ancha a écrit:"Beyoncé's video for "Why Don't You Love Me?" premiered yesterday and I had to post it on my blog!!! I honestly love EVERYTHING about it -- her vintage wardrobe, her hair and makeup, all the classic 60s housewife chores (dusting off her Grammys LOL). I also thought it was so cool how the video had that old school, retro style feel. It all comes together so perfectly! And how could I talk about this video without mentioning that fab body of hers?!? I love a girl with curves! Represent sista! LOL. I die for her!"

Message de Khloe Kardashian sur son blog

Oui, j'ai vu ça. C'est cool pour Bee :lol: Beaucoup de gens l'apprécient, ça fait plaisir.
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Message par NinooMessi le 06/05/10, 09:53 pm

OOOOOHHHHHH MYYYYY GOOOOSSSSSHHH JAZMINE SULLIVAN AIME LA CHANSON ET LE CLIP !!!!!! YESSAAAAAAHHHHHH I ALWAYS KNEW SHE APPRECIATE HER !!! :lol: :heart:
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Message par winy le 07/05/10, 03:29 pm

:ILUB:


Je suiiiiis étonnée... Bee me surprendra toujours ! La video je ne m'y attendais pas du tou, tt comme PLove song xD
La video je l'ai looookéééé je ne sais pas combien de fois ! superbe video, sexy, provok', hilarant, fashion ... Krément la video avec alicia keys elle peut sortir en septembre ou nimprt' plus d'importance =p !

La chanson est dans ma tete tous les jours !! Mais la chanson c une reprise ou non ?
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Message par Alycat le 07/05/10, 03:32 pm

No 100% Dereon Créole
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Message par KEY9481 le 07/05/10, 03:40 pm

:rofl2:
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Message par KEY9481 le 08/05/10, 02:11 pm

VIDEO PREMIERE - Why Don't You Love Me - Page 6 Beyonce0097824231
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Message par Ally le 08/05/10, 03:34 pm

:shock: c'est super beau
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Message par Invité le 09/05/10, 09:05 am

Adam Lambert on Beyonce’s new video,
A few hours ago, Adam Lambert posted the following message on his twitter:
In love w new beyonce video for “why don’t you love me” the song Is beeeeeaaaat. Sang girl
:D
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Message par NinooMessi le 09/05/10, 01:13 pm

:pompom:
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Message par KEY9481 le 12/05/10, 01:13 pm

Pour tous les courageux :D

Last Tuesday, (May 4th), an internet frenzy erupted as Beyonce, who recently spoke about taking a six month hiatus, personally released her latest video "Why Don't You Love Me". The video received over 1.5 million combined views within the first 60 hours and was a trending Twitter topic during its debut. What's also just as unexpected and interesting as the video's release is the unexpected producers of the song and their story of how the song came to be.

"Why Don't You Love Me" was produced by the Houston-based electro trio the Bama Boyz (aka the Bamaz). The trio's members Eddie "E-Trez" Smith III, Jesse J. Rankins and Jonathan D. Wells originally hail from Montgomery, Alabama and have been based in Houston since 2003. When asked about their sound, the Bamaz uniquely describe it as "music schizophrenia."

"We're a bit left-field because we mix genres," says Jonathan. When asked by Solange Knowles (the Bamaz produced "ChampagneChroniKnightCap" featuring Lil Wayne & "Valentine's Day" on her latest release) to put instrumentals together for her to write to for her sister Beyoncé, the Bamaz almost purposely left the instrumental for "Why Don't You Love Me" out. "We didn't think it sounded anything like what Beyoncé was recording at the time but we put it in the email anyway just because we knew Solange likes weird records," says Jesse jokingly. "But we made sure to send it last!"

Out of all the mainstream-inspired attempts the Bamaz sent to Solange first, she chose that last, most unexpected track and wrote "Why Don't You Love Me." Jonathan comments: "When we heard Solange's demo, we were excited because that track was more our true sound than any of the others [sent], but we still kinda didn't believe Beyoncé would cut it ... but we hoped!"

Months after Solange cut the demo, Beyoncé came to Houston's Music World Studios for a recording session. The Bamaz were there working and she invited them into her session to listen to the then early versions of I Am...Sasha Fierce. All of a sudden after Beyoncé played "Halo," the Bamaz track came blasting through the speakers featuring the patented, attention-commanding vocals of Sasha Fierce singing "Why Don't You Love Me." The fellas were thrilled to hear she recorded it and loved the song.

The second time the track "almost didn't happen" was when Solange's EMI rep, not knowing Beyoncé had already recorded the song, was preparing to shop the "Why Don't You Love Me" demo to other artists. "It just so happened that he knew us and called to ask if we can add more sounds to the chorus before he sends it out...that's when I told him 'No, don't send it out, Beyoncé is using it!'" exclaimed Eddie.

The third (and final) time the track almost didn't come into existence was when the album was completely finished and "Why Don't You Love Me" stood out like a sore thumb amongst the other tracks, such as the urban leaning smash "Single Ladies" and the Pop ballad "If I were A Boy." "On one hand you have all these great pop records that felt like Beyoncé, and then on the other hand here's this retro, aggressive, electro/dance cut...even we had to admit it stood out," laughs Jesse. "Why Don't You Love Me" barely made the album and ended up a bonus track on I Am...Sasha Fierce. "We kept hearing from people closer to her that she really liked the song and played it a lot, I think that's the only reason it made the album," adds Eddie, "but no matter why or how, we were just happy we made it."

Late Sunday afternoon, May 2, 2010, the Bamaz were in the midst of shooting a promo reel for their upcoming live gigs in the House of Deréon Media Center in Houston when they began receiving an unusual amount of texts, tweets and Facebook messages from friends congratulating them on Beyoncé's new sneak peak of the video "Why Don't You Love Me." "I thought people were just confused about the commercial that WE were shooting," laughs Jonathan. The fellas received so many simultaneous messages that they had to stop the shoot to further investigate online. "No one told us she was doing a video [for it], we had no clue," claims Eddie. That following Monday the video's existence was confirmed as the Bamaz watched it for the first time. "When we first saw it, the world hadn't seen it yet, but we could feel it was going to be big because of the detail she put into the imagery... she brought the sound to life...it was art," explains Jesse.

The Bamaz released their own electro EP entitled Socially Awkward as a free download on www.thebamaz.com this past September and are planning to release their own full album the top of 2011. The trio has been songwriting and producing since 2003 beginning as in-house producers for Music World Entertainment. Though they are best classified as Electro, they have also earned music credits in various genres including R&B, Hip Hop, Urban Gospel, Dance, and Latin Pop building upon an impressive résumé of working with artists such as Beyoncé and Solange Knowles, Destiny's Child, Mya, Lil Wayne, Mike Jones, Rick Ross, Trin-I-tee 5:7, George Clinton, and Voltio among others. The Alabama natives have also scored tracks for commercials and films through their production company, My Turn Entertainment, which include The Pink Panther, Roll Bounce, Save the Last Dance 2, The Last Holiday, Bring It On All or Nothing, Chancers (a UK reality series on which they also made appearances), "Home for the Holidays" (a Wal-Mart commercial featuring Destiny's Child), Nickelodeon's Wow! Wow! Wubbzy!, and a commercial for Ford Motors' Ford Fusion.

http://www.antimusic.com/news/10/may/12The_Story_Behind_Beyonces_Why_Dont_You_Love_Me.shtml
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Message par KEY9481 le 20/05/10, 05:22 pm

Speaking of working with people, you’ve worked with Rihanna, Solo. You’ve done a whole bunch of videos with Beyonce. What’s it like working with those three? Do you brace yourselves for attitudes or is that not even the case?
Not with them. Definitely, there have been some other people with attitudes that we won’t name. But with those three, especially now that I’ve worked with them and I’m good friends with Solange and Beyonce and we’ve done so much stuff together, it’s almost like we’re family. It’s like working with your family, and we have fun. It’s collaborative. We bounce ideas off of each other and it’s no attitude at all. Even with Rihanna, she’s definitely really smart with her ideas and creative and she gets it. I think that’s the thing with all of those three. I have very similar taste, so we’re able to collaborate on ideas. And it’s not like a competition or we’re battling each other, and that makes it fun.

How was the video shoot with Alicia Keys and Beyoncé in Brazil?
That was amazing and really hard, not because of them at all. Just being in Brazil and I was kind of expecting like a third-world place so we could go down there and steal everything, and shooting would be easy. But it was very by the book, we had to get permits and the crew had union’s rules and all that technical stuff that makes shooting not really fun, and it was like 87 million degrees and we were outside (laughs). But it was such an amazing experience to be there with the people and we were in the favelas and we were under the stars, so we really got a lot of love and support from the people. But there was also a lot of corruption too. We had to hire a certain amount of cops, too. Somebody that was like a liaison between security with their people and our people started getting cocky and rude to the cop and there was almost this crazy shoot out fight. It all happened at the end scene when I’m shooting this big carnival parade. We’re just starting to shoot it, and the [fight] is all happening behind me. I don’t even know this is happening, and then I get people starting to come up to me saying “This is the last take. We’ve got to get them out of here. This is starting to get scary.” Then it got a little sketchy, so the cops pretty much quit. [They] left with all the barricades that were pretty much holding all the people back, and the people kind of like bum rushed our set. It was kind of an ordeal. I felt like it was that scene from City of God where I thought someone was about to die.

For Beyoncé’s “Why Don’t You Love Me” video, whose idea was it to dub Beyoncé “B. B. Homemaker”?
(Laughs) As the project developed and progressed, new ideas started to come up. She came up with the name. As I was editing, she was like ‘Let’s do a “Leave It To Beaver” type intro’ and I edited that together. I started looking at all these shows and they all have those voiceovers. I loved in “Leave It To Beaver” [that] they would announce the actress’ names and then at the end they would say ‘The Beaver.’ Then I said, ‘Oh, you should be The Beaver’ and Beyoncé was like ‘No, Melina. I can’t be The Beaver’ (laughs). Then I was like let’s come up with like a cool name, and just off the top of her head she was like “I don’t know, B.B. Homemaker.”

How long did it take to shoot?
We shot for one day and prepped for like two or three weeks. It was just really chill. When we came back from Brazil shooting the other project, she said she was thinking about doing this video for a song she had and it was number one on the dance charts at some point. She said her and Solange wrote it. So it was nice because it all just came together. She really loved the whole Bette Paige idea. That’s where it kind of started. Then Bettie Page turned into Susie Homemaker slash frustrated housewife and we just decided to throw all that together.

Was it her idea to dust off the 8.9 million Grammys?
(Laughs) That was her idea. Then I was like ‘Well, let’s do the life of Bettie Paige, like how she would live her life back then.’ Then it became Beyoncé-slash-Bettie goes hood kind of (laughs). She also kind of wanted to play off of everyone telling her to sit down and go have babies and be a housewife. You know, just having fun with it. Then she was like ‘Hmm, now might be a good moment where I can dust off some Grammys.’ I was like ‘I love it!’ so that’s when she dusts off her Grammys.

Were those all her Grammys?
Actually, they were hers, Destiny’s Child’s, and Jay’s. Yeah, it was a lot of Grammys. Everyone on set was taking picture of the Grammys.

Where was the video shot?
It was shot in L.A. on Mount Olympus. Actually, we found this house that was owned by a 95-year-old man. And I believe he was Dorothy Dandridge’s either agent or PR person. He’s a white man, but he really had all this stuff in his house that had to do with the Blues. He was really on the forefront. He had this wall of fame and he was just really interesting. The cars that were in the video were his. It kind of all magically came together.

http://www.honeymag.com/2010/honeymag/take-one-melina-matsoukas/
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Message par KEY9481 le 20/05/10, 05:39 pm

Bree Van De Kamp a écrit:
Was it her idea to dust off the 8.9 million Grammys?
(Laughs) That was her idea. Then I was like ‘Well, let’s do the life of Bettie Paige, like how she would live her life back then.’ Then it became Beyoncé-slash-Bettie goes hood kind of (laughs). She also kind of wanted to play off of everyone telling her to sit down and go have babies and be a housewife. You know, just having fun with it. Then she was like ‘Hmm, now might be a good moment where I can dust off some Grammys.’ I was like ‘I love it!’ so that’s when she dusts off her Grammys.
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Message par Alycat le 20/05/10, 05:44 pm

:BDAY: Maintenant ou sont les personne qui critiquait la créativité et l'implication de B dans ses videos ? :pfff ...: j'attends !
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Message par KEY9481 le 20/05/10, 05:50 pm

Nan mais c'est grace à Gaga, Alyssa.
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Message par -- Lala -- le 20/05/10, 05:52 pm

Bree Van De Kamp a écrit:Nan mais c'est grace à Gaga, Alyssa.

J'ai jamais compri le rapport entre Gaga et cette vidéo :lol:
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Message par KEY9481 le 20/05/10, 05:53 pm

Bah tout le monde sait que Gaga est la source de toute vidéo. Ca coule de source quoi !
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Message par Invité le 20/05/10, 06:04 pm

Bree Van De Kamp a écrit:Speaking of working with people, you’ve worked with Rihanna, Solo. You’ve done a whole bunch of videos with Beyonce. What’s it like working with those three? Do you brace yourselves for attitudes or is that not even the case?
Not with them. Definitely, there have been some other people with attitudes that we won’t name. But with those three, especially now that I’ve worked with them and I’m good friends with Solange and Beyonce and we’ve done so much stuff together, it’s almost like we’re family. It’s like working with your family, and we have fun. It’s collaborative. We bounce ideas off of each other and it’s no attitude at all. Even with Rihanna, she’s definitely really smart with her ideas and creative and she gets it. I think that’s the thing with all of those three. I have very similar taste, so we’re able to collaborate on ideas. And it’s not like a competition or we’re battling each other, and that makes it fun.

How was the video shoot with Alicia Keys and Beyoncé in Brazil?
That was amazing and really hard, not because of them at all. Just being in Brazil and I was kind of expecting like a third-world place so we could go down there and steal everything, and shooting would be easy. But it was very by the book, we had to get permits and the crew had union’s rules and all that technical stuff that makes shooting not really fun, and it was like 87 million degrees and we were outside (laughs). But it was such an amazing experience to be there with the people and we were in the favelas and we were under the stars, so we really got a lot of love and support from the people. But there was also a lot of corruption too. We had to hire a certain amount of cops, too. Somebody that was like a liaison between security with their people and our people started getting cocky and rude to the cop and there was almost this crazy shoot out fight. It all happened at the end scene when I’m shooting this big carnival parade. We’re just starting to shoot it, and the [fight] is all happening behind me. I don’t even know this is happening, and then I get people starting to come up to me saying “This is the last take. We’ve got to get them out of here. This is starting to get scary.” Then it got a little sketchy, so the cops pretty much quit. [They] left with all the barricades that were pretty much holding all the people back, and the people kind of like bum rushed our set. It was kind of an ordeal. I felt like it was that scene from City of God where I thought someone was about to die.

For Beyoncé’s “Why Don’t You Love Me” video, whose idea was it to dub Beyoncé “B. B. Homemaker”?
(Laughs) As the project developed and progressed, new ideas started to come up. She came up with the name. As I was editing, she was like ‘Let’s do a “Leave It To Beaver” type intro’ and I edited that together. I started looking at all these shows and they all have those voiceovers. I loved in “Leave It To Beaver” [that] they would announce the actress’ names and then at the end they would say ‘The Beaver.’ Then I said, ‘Oh, you should be The Beaver’ and Beyoncé was like ‘No, Melina. I can’t be The Beaver’ (laughs). Then I was like let’s come up with like a cool name, and just off the top of her head she was like “I don’t know, B.B. Homemaker.”

How long did it take to shoot?
We shot for one day and prepped for like two or three weeks. It was just really chill. When we came back from Brazil shooting the other project, she said she was thinking about doing this video for a song she had and it was number one on the dance charts at some point. She said her and Solange wrote it. So it was nice because it all just came together. She really loved the whole Bette Paige idea. That’s where it kind of started. Then Bettie Page turned into Susie Homemaker slash frustrated housewife and we just decided to throw all that together.

Was it her idea to dust off the 8.9 million Grammys?
(Laughs) That was her idea. Then I was like ‘Well, let’s do the life of Bettie Paige, like how she would live her life back then.’ Then it became Beyoncé-slash-Bettie goes hood kind of (laughs). She also kind of wanted to play off of everyone telling her to sit down and go have babies and be a housewife. You know, just having fun with it. Then she was like ‘Hmm, now might be a good moment where I can dust off some Grammys.’ I was like ‘I love it!’ so that’s when she dusts off her Grammys.

Were those all her Grammys?
Actually, they were hers, Destiny’s Child’s, and Jay’s. Yeah, it was a lot of Grammys. Everyone on set was taking picture of the Grammys.

Where was the video shot?
It was shot in L.A. on Mount Olympus. Actually, we found this house that was owned by a 95-year-old man. And I believe he was Dorothy Dandridge’s either agent or PR person. He’s a white man, but he really had all this stuff in his house that had to do with the Blues. He was really on the forefront. He had this wall of fame and he was just really interesting. The cars that were in the video were his. It kind of all magically came together.

http://www.honeymag.com/2010/honeymag/take-one-melina-matsoukas/

Trop bon quoi :boum*: En plus les choses qu'on retient le plus du clip vienne de Bee :heart:
Est pour l'homme de 95 ans génial ses voitures et sa maison ;)
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Message par Alycat le 20/05/10, 06:05 pm

Citez moi un mot qui n'est pas d'origne grecque ? Citez moi une video qui n'est pas d'origine Gaga ? :pfff ...: C'est bien ça.
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Message par -- Lala -- le 20/05/10, 06:55 pm

Bree Van De Kamp a écrit:Bah tout le monde sait que Gaga est la source de toute vidéo. Ca coule de source quoi !

Ce que je trouve dommage c'est que du coup ca retombe sur Gaga, enfin je veux dire, elle a rien à voir la dedans, elle fait sa musique, ses clips et après tout le monde dit elle fait comme Gaga, elle copie Gaga ect ...
et à cause de ça, j'ai l'impression que ca lui retombe dessus alors qu'elle a rien a voir, enfin ce que je veux dire c'est qu'elle ne se permet pas de dire un tel ou un tel me copie.

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    La date/heure actuelle est 14/12/19, 04:02 pm