CRAZY BEYONCÉ

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KEY9481
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Message par KEY9481 le 25/05/11, 08:31 pm

ancha a écrit:J'ai écrit " Contrairement à Gaga, Beyoncé assume ses inspirations. C'est la première à avoir parlé d'où lui venaiT la chorégraphie de SL, avoir mis en lumière le groupe Tofo Tofo, et dire avoir travaillé avec Diplo des Major Lazer pour RTW. Gardez vos déceptions pour les chansons de Gaga"

deadbanana deadbanana deadbanana
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Message par Invité le 25/05/11, 08:32 pm

:hahaha: :hahaha: :hahaha:
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Message par Lambert le 25/05/11, 08:32 pm

B-Révolution a écrit:
youss a écrit:Je suis désolé mais sa réponse est plus que satisfaisante! Il aurait pas pu répondre mieux. Ça valorise vraiment Beyoncé!

uhh wouf wouf ! wouf wouf wouf !

:bag:
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Message par Invité le 25/05/11, 08:53 pm

C'est CedricPawsUp ? Je le suis sur twitter en fait, il a l'air déçu en effet :|
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Message par KEY9481 le 25/05/11, 09:08 pm

Je suppose que si Bee avait utiliser des licornes et quelques motards dans le backdrop, ça aurait été plus facile à apprécier.
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Message par Touch le 25/05/11, 09:11 pm

Kaliya a écrit:C'est CedricPawsUp ? Je le suis sur twitter en fait, il a l'air déçu en effet :|

Oui c'est lui
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Message par Invité le 26/05/11, 05:15 pm

On a vu un bout de la Performance sur Morandini
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Message par Iceberg le 26/05/11, 05:44 pm

Bon je savais pas si devais le mettre ici où dans le sujet de M.I.A, mais peu importe.

M.I.A. a utilisé des images de la perf' de Beyoncé aux BMA pour former le mot M.I.A. pour la pub d'un de ses nouveaux t shirts.

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Message par Invité le 26/05/11, 05:45 pm

WOW :boum*: WOW
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Message par -Nelson- le 26/05/11, 05:48 pm

Quelle femme de goût cette M.I.A :boum*:
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Message par Iceberg le 26/05/11, 05:52 pm

[Rêve] Imaginez un up tempo Beyoncé ft. M.I.A :FAINT: [/Rêve]
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Message par Kevin le 26/05/11, 06:04 pm

autant d'effet qu'un duo avec Adele, un truc de fou quoi.
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Message par Invité le 26/05/11, 06:07 pm

Moi je préfèrerais M.I.A pour le coup!
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Message par -Nelson- le 26/05/11, 06:07 pm

Iceberg a écrit:[Rêve] Imaginez un up tempo Beyoncé ft. M.I.A :FAINT: [/Rêve]


Eclatement instantané de ma colone vertébrale :lol:

J'espère bien que ça arrivera un jour, ça ne me semble vraiment pas impossible, elles ont des connexions, M.I.A/JAY BEYONCE/DIPLO... :gum:
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Message par Iceberg le 26/05/11, 06:08 pm

[Rêve²] Et puis un up tempo super catchy et dansant comme Boyz ou Bucky Done Gun :*HOPITAL*: [/Rêve²]
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Message par Kevin le 26/05/11, 06:09 pm

Iceberg a écrit:[Rêve²] Et puis un up tempo super catchy et dansant comme Boyz ou Bucky Done Gun :*HOPITAL*: [/Rêve²]

j'aurais trop peur de me péter une hanche lol
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Message par Invité le 26/05/11, 06:10 pm

Tu viens de citer mes 2 chansons favorites de M.I.A. :FAINT:
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Message par -- Lala -- le 28/05/11, 04:57 pm

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Message par The Queen le 28/05/11, 05:01 pm

Ils ont parlé de sa perf dans 50min Inside.
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Message par KEY9481 le 28/05/11, 06:01 pm

Meet The Man Behind Beyoncé's Incredible Billboard Awards Visuals

The unstoppable pop powerhouse that is Beyoncé had a great night this past Sunday at the 2011 Billboard Music Awards where she was honored with the Billboard Millennium Award, recognizing her career achievements and influence on the music industry. She also delivered a show-stopping performance of her new single, “Run the World (Girls),” backed by some impressive-looking projections that worked just as hard as the singer’s choreographed dance moves to transport her performance to another dimension. Watching Beyoncé’s perfectly executed performance alongside an army of virtual clones, all dancing in sync, was truly mesmerizing.

We were pleased to learn that our friend Kenzo Digital was behind the stunning visuals. As great admirers of Kenzo’s work (we even screened a short film of his at our Beijing event last year), we weren’t surprised to learn that he was the visual mastermind and co-creative director (along with Beyoncé) of the performance. We caught up with the artist via email to learn more about how the whole thing came together.


The Creators Project: How did this collaboration come about?
Kenzo Digital: Beyonce’s choreographer and part of her creative team, Frank Gatson, reached out to me. We rapped about how to make something awesome using video as an interactive medium for her live performance. Then it was a go from that point on.

What was your specific role in the project? Who were the other players?
Beyonce and I were the creative directors on the project, and we partnered with Breathe, the company responsible for the [visuals on] Roger Waters’ (from Pink Floyd) “The Wall” tour. We also had some support from Dirt Empire.

What was the original concept for the visuals?
Beyonce and I talked extensively about various styles and techniques. I was really into creating some kind of a 3D origami jungle world as a means to reveal and move her performance through various worlds. We wanted to combine that with a stark graphic world with accents of color that punctuated the interaction. We were inspired by this Italian pop star’s performance, and created some graphics that lived in between the worlds as a nod to her performance. I threw in some color bars as well as a little nod to Nam June Paik, my mentor.

Were you happy with the results?
Absolutely. It was a great experience, and Beyonce, her choreographer Frank Gatson, and I worked very hard to really marry these two elements and maximize the effect of the video and the choreography. After weeks of putting together pre-visual videos to plan and visualize the concept, it was incredible to see Beyonce bring the whole thing to life in her live performance, and the final live one for the event was fucking crazy, her energy was on another level.

What was the most challenging part of the project?
It was a real process getting the video and the choreography to really marry in a dynamic way. We went through various rounds of video leading the conversation, then choreography, then back again.

Mixing projection and performance, particularly music and dance, is a bit of a trend right now. What do you think is so attractive about the medium for artists?
I think for a long time live visuals and music performance had a very superficial relationship (there are exceptions, of course), but nowadays I think people are just beginning to scratch the surface with how visuals can be worked into musical performances in meaningful ways. People are so reliant on visuals nowadays, there almost is no music without a visual component in terms of marketing and the commerce of music. I don’t necessarily think that’s a good thing, but it is what it is. The technique we used here has been around since the 80s and used by artists like Andy Warhol and Nam June Paik, its just now being introduced to the mass audience through these pop star vehicles.


http://www.thecreatorsproject.com/blog/meet-the-man-behind-beyonc%C3%A9s-incredible-billboard-awards-visuals
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Message par Invité le 28/05/11, 06:26 pm

Quelqu'un a la vidéo de 50 min insid ?
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Message par Ally le 28/05/11, 06:33 pm

ils ont parlé de bee ??
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Message par Invité le 28/05/11, 06:37 pm

De sa perf au BMA!
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Message par KEY9481 le 28/05/11, 06:46 pm

http://videos.tf1.fr/50-mn-inside/people-police-du-samedi-28-mai-2011-6509025.html

J'arrive pas à lire la vidéo donc je ne sais pas si c'est vraiment ça.
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Message par Invité le 28/05/11, 07:09 pm

Moi non plus, elle ne s'affiche pas. :|

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